Big deal on madonna street english subtitles stream

#Big deal on madonna street english subtitles stream movie

But as much as I'd like to watch, say, the Nabokovian subtitle edition of Harold and Kumar Go To White Castle, I'm not sure it would be a big hit in movie theaters.ДЄll of this is an roundabout way of saying that Mario Monicelli's Big Deal on Madonna Street is a very different film for a native speaker of Italian than it is for an English speaker.

Which is basically the experience you'd have if the subtitles showed everything in the studio translation binders. Only a paraphrase 'reads well' my translation does not it is honest and clumsy, ponderous and slavishly faithful. My only ambition has been to provide a crib, a pony, an absolutely literal translation of the thing, with copious and pedantic notes whose bulk far exceeds the text of the poem. I had to decide between rhyme and reason-and I chose reason. At least, not without taking an approach like Nabokov's translation of Eugene Onegin: How much of the feeling of the scene is lost simply because Jerry Lundegard's Minnesota 'Yah' is reduced to 'Si?' I don't think there's a way to translate the experience a native English speaker has while watching Fargo into any other language. In the actual event, the Italian translators for Fargo seem to have ignored the accents and regionalisms completely: compare this to this. There's no Italian sentence that conveys exactly the same meaning as 'So I says, 'Well, that don't sound like too good a deal for him, then.'' And that's before you add the problem of accents. But half the point of the dialogue is the strange Minnesota diction ('a no-rough-stuff-type deal,' or this exchange). But what happens if you end up translating Fargo? You might be able to go through the script, line by line, and capture the literal meaning of each sentence. If you were writing Italian dialogue for Transformers, maybe you could pull it off. But flip the problem around and this position immediately seems absurd.

And for, say, The Raid: Redemption, this might actually be true. 2 It's easy to imagine when watching a foreign film that, assuming the translators were working from a sufficiently detailed binder, the English subtitles provide a functionally identical experience. This consisted of a large binder in which every line of dialogue was dutifully transcribed, and any idiomatic expression explained within an inch of its life. Studios care because they have to at New Line I got to see the post-production department prepare a sort of annotated version of each film for use by translators. But it's odd that film translation is so ignored: besides the occasional DVD package boasting that the subtitles have been 'improved' (How? By who?), I don't know any cinephiles or critics who pay much attention to what's going on when a film is translated. 1 This isn't entirely irrational: film isn't quite so at the mercy of language as a Pynchon novel. But when I say I've seen The Lives of Others, I mean it in a different way than when I say I've read Goethe. I'm no exception-every word of German I know, I've learned from video games (Schnell, schnell! Die Amerikaner!). It's not just neglect there's a real difference in the way we think about language in films. And yet, even though I'd wager that in an average year most English-speakers encounter many more non-English films than books, (with one major exception), film translation gets short shrift. We understand, when it comes to books, that the original language is always preferable to any other version: a true literary polymath reads Milton in English, Tolstoy in Russian, Proust in French, and Shakespeare in Klingon. New translations can be literary events in their own right. You only have to glance at a few sentences of Stuart Gilbert and Matthew Ward's respective versions of LвЂ™Г‰tranger to understand how much of a mark the translator leaves on a text.

In literature everyone understands the problems of translation. Big Deal on Madonna Street, 1958, directed by Mario Monicelli, screenplay by Agenore Incrocci, Furio Scarpelli, Suso Cecchi D'Amico, and Mario Monicelli, story by Agenore Incrocci and Furio Scarpelli.

Big deal on madonna street english subtitles stream